Umfassende Compilation von Soul Jazz Records, die die spirituelle und kulturelle Entwicklung der Rastafari-Bewegung innerhalb der jamaikanischen Musik dokumentiert. Die Doppel-LP vereint seltene und klassische Aufnahmen aus den Jahren 1955 bis 1983 von Künstlern wie Count Ossie, The Mystic Revelation of Rastafari, Ras Michael und vielen weiteren Roots-Pionieren. Nyabinghi-Drumming, frühe Ska- und Reggae-Rhythmen sowie spirituelle Gesänge zeigen eindrucksvoll den Einfluss der Rastafari-Kultur auf die Entstehung des Roots-Reggae. Rastafari (The Dreads Enter Babylon 1955–83) gilt als faszinierende musikalische Reise durch die spirituellen Wurzeln jamaikanischer Musik.
Limited Edition,Special Coloured VinylStudio One Women is in the series of Studio One compilations released by Soul Jazz Records. Ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they're all here from the queens of the Jamaican music scene. Studio One Women features a wide mix of classics and obscurities from the finest female voices in reggae. Until now most of these tracks have only ever been available as extremely hard to find Jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they'd cost you a small fortune! Marcia Griffiths and Rita Marley (here with her first group The Soulettes) are two of Jamaica's most famous female singers hugely popular today. Both these artists became internationally famous as The I – Threes (along with Judy Mowatt), Bob Marley's backing singers alongside The Wailers. Also featured are Hortense Ellis, sister of Alton who cut many smash hit on the island and Jennifer Lara, a lady who had a long career with Studio One, singing on countless sides until she sadly passed away earlier this year. Studio One is the greatest label in the history of reggae and is the foundation of all reggae music. It's where virtually every world renowned Jamaican superstar started out, Bob Marley and The Wailers included. Under the guidance of the legendary Clement "Coxsone" Dodd the musicians at Studio One recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in Jamaica today.
Der legendäre Soundman & Produzent Lloyd Coxsone war in den 1960ern einer der ersten DJs in den Westend Clubs, der eine Generation britischer Popstars wie The Beatles & The Rolling Stones erstmals mit jamaikanischer Musik konfrontierte. Sein Sound dominierte die 1970er mit Bob Marley & Dennis Brown als seine größten Verbündeten. Er gründete Tribes Man Records und veröffentlichte mit King Of The Dub Rock 1+2 Reggae-Klassiker, die neben Eigenproduktionen auch Riddims des Produzenten Gussie Clarke und Heavyweight-Dubs von Mixmaster Scientist enthielten.Auf Vol. 3 kooperiert Lloyd mit dem Label Jahsolid Rock Music, dessen legendäre Alben von Brinsley Forde, Apple Gabriel und Earl 16 regelmäßig in den Playlists von Sir Coxsone waren, und bringt exklusive Dub-Mixe & Vocal-Tracks der genannten Künstler sowie brandneue Stücke von Mutabaruka, Chezidek, Micah Shemaiah, Var, Ras Teo. Die Ausgabe komplettiert die Trilogie und verspricht dank ihrer Qualität ein moderner Klassiker unserer Zeit zu werden
The second volume in a two-part collection of Jamaican doo wop from the late 1950s through to the early 1960 represents a period in which sound systems began to dominate the island, and were starting to step up their rivalry by beginning to record heir own platters rather than rely on imports to gain the competitive edge.
With the uniquely Jamaican ska craze yet to fully catch hold, these tracks are largely imitative of the sounds that had been reaching the island from American shores, albeit peppered with hints of what was to come ~ some of the future stars of ska, rocksteady and reggae are starting to cut their teeth here on these records, providing a unique view into the fledgling industry at a time of creative flux.
Following on from the success of the 100% Dynamite series, here we enter the vaults of the most important Reggae label of all time, Studio One. Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field. Studio One Rockers features many legendary Studio One tracks brought together for the first time by Soul Jazz Records. From the beginning of Reggae, when the Skatalites developed a new sound of Ska in 1962 up until today, Studio One has been the number one innovator in Jamaican music. Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more. Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping". The Coxsone Soundsystem in the early 60s was one of the three main soundsystems operating in Jamaica alongside his competitors, Prince Buster and Duke Reid. The Studio One catalogue is possibly the largest in Jamaican music and this release is the first in a series of Studio One compilations on Soul Jazz Records. This album comes with an in depth interview with Mr C.S. Dodd, about how he set up and ran his record label in the 1960s and 1970s.