Beeindruckende Auswahl einiger der besten Künstler der jamaikanischen Musik, darunter Roland Alphonso, The Gaylads, The Ethiopians, Don Drummond und Jackie Opel. Eine All-Star-Besetzung aus dem Studio-One-Umfeld begleitet von einem ausführlichen Booklet  mit Informationen zu Musikern, Songs und vielem mehr. Erscheint als heavy Doppel-Vinyl-Edition in einem hochwertigen Gatefold-Sleeve. The accompanying booklet contains extensive sleeve-notes from Studio One historian Rob Chapman (author of Never Grow Old and Downbeat Special), with information on musicians, tracks, label scans and more.Soul Jazz Records' Studio One Ska Fever is released as a heavyweight double-vinyl edition in deluxe strong gatefold sleeve (with full sleeve notes) and also as a digital download.

For this Studio One release we return to the roots of Reggae music-The Soundsystem. Throughout the late 1950s and 1960s Soundsystems played throughout the city of Kingston, Jamaica. As well as Sir Coxsone's Downbeat Soundsystem other famous Soundsystem operators included Duke Reid (the Trojan), Prince Buster, Tom the Great and King Edwards. These Soundystems were the birthplace of much of Jamaica's musical culture ­ Soundclashes, Dancehall and the idea of the Toaster who sang over records- theDJ. As ever Clement "Sir Coxsone" Dodd led the field and so for this release the focus is on DJ's at Studio One and features legendary toasters such as Denis Alcapone, Dillinger and Prince Far I as well as a host of rare material by lesser known artists. Also included is Count Machuki ­ the original DJ- the first man ever to speak over the mic-at Sir Coxsone¹s Downbeat Sound System- from where it all began. As Steve Barrow (author of The Rough Guide to Reggae/Blood and Fire Records) writes in the sleevenotes, Jamaican deejay music is the source for all Rap music: From Count Machuki talking over records on Sir Coxsone's legendary Downbeat Sound System this style would eventually travel to America when the Jamaican-born Kool Herc began playing at Block parties (a version of the Kingston Soundsystem parties) in the Bronx. Cutting up rare-groove classics for the first B-Boys to rap over, Hip-Hop was born and theDJ music that had started on the early Soundsystems of Kingston would go on to conquer the world! Studio One Records is the original Jamaican record label. Studio One Records started the career of hundreds of Jamaican artists from Bob Marley to The Skatalites, from Horace Andy to The Heptones. Studio One DJs (compiled by Mark Ainley) is the next in the series of releases where Soul Jazz Records are showcasing the music of Studio One, the label that literally defines Reggae. Following on from Studio One Rockers, Studio One Soul and Studio One Roots, this release also comes as a CD-Rom with a taster from the Studio One Story, Soul Jazz Records forthcoming full-length documentary about Coxsone Dodd and Studio One.

Eine weitere liebevolle Entdeckung von "Outta Sight": Erste LP-Compilation der legendären Plattenfirma Dynamo Records aus Detroit mit 16 Northern Soul-Hymnen und -Raritäten aus der zweiten Hälfte der 1960er. Darunter Lee Moses' wundervolle Darbietung von »Pouring Water On A Drowning Man« sowie Perlen von Tommy Hunt, The Diplomats, Inez & Charlie Foxx, Stanley Mitchell, Barbara & Brenda und Kenny Ballard.

Limited Edition,Special Coloured VinylStudio One Women is in the series of Studio One compilations released by Soul Jazz Records. Ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they're all here from the queens of the Jamaican music scene. Studio One Women features a wide mix of classics and obscurities from the finest female voices in reggae. Until now most of these tracks have only ever been available as extremely hard to find Jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they'd cost you a small fortune! Marcia Griffiths and Rita Marley (here with her first group The Soulettes) are two of Jamaica's most famous female singers hugely popular today. Both these artists became internationally famous as The I – Threes (along with Judy Mowatt), Bob Marley's backing singers alongside The Wailers. Also featured are Hortense Ellis, sister of Alton who cut many smash hit on the island and Jennifer Lara, a lady who had a long career with Studio One, singing on countless sides until she sadly passed away earlier this year. Studio One is the greatest label in the history of reggae and is the foundation of all reggae music. It's where virtually every world renowned Jamaican superstar started out, Bob Marley and The Wailers included. Under the guidance of the legendary Clement "Coxsone" Dodd the musicians at Studio One recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in Jamaica today.

From Blues parties in London, Birmingham, Bristol etc Lovers Rock quickly became one of the UK’s finest-ever musical movements. Sweet harmonies, soulful reggae, love songs – the key ingredients of Lovers Rock - were all based on the revival of many of the classic Rocksteady harmony groups of the late 60s and early 70s, such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement "Sir Coxsone" Dodd’s Studio One and rival Duke Reid’s Treasure Isle label produced hit after hit with as they fought for dominance in the dancehalls of Kingston. As well as these classic harmony groups, this album also features fine contributions from many of the reggae greats – Horace Andy, Alton Ellis, Bob Marley and The Wailers, Delroy Wilson – All artists who became stars at the legendary Studio One Records which Chris Blackwell, founder of Island Records, describes as "The University of Reggae".

Female Backing Vocals Singer – Calibe Thompson, Maria Smith Guitar – Rad Bryan_Acoustic Guitar – Keith FrancisBass – Robbie Shakespeare_Congas [Congo Drums] – Andrew Mannings Pr_Drums – Sly Dunbar_Percussion – Sticky ThompsonKeyboards, Producer – Ansel Collins

"Dubble Attack" is the ultimate Deejay selection for producer legend Glen Brown including U Roy's King Tubby sound system special "Number One In The World", Big Youth's instant rewind "Opportunity Rock", three of I Roy's hardest and hardest to get tunes along with a trio of killers from Prince Jazzbo and many more, released in 1972 to 1974 on Glen Brown's jamaican label Pantomime. In total 14 tracks of highly desirable recordings from the most collectable label of them all, engineered by King Tubby. Remastered with expanded sleeve notes "Dubble Attack" is the must have Deejay round-up no serious reggae fan can be without. Available as CD (Digipak) and LP-vinyl with new lacquers cut by Kevin Metcalfe at Soundmasters

First LP features the veteran artists, whilst the second showcases the newer talents

Record Store Day exclusive release, part of the July 17th drops. Limited to 3,000 copies on blue/grey vinyl.

Non-stop killer Studio One cuts from The Wailing Souls, Freddie McKay, Doreen Schaeffer and, and, and...Llimited edition gatefold heavyweight double viny

This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.

The second volume in a two-part collection of Jamaican doo wop from the late 1950s through to the early 1960 represents a period in which sound systems began to dominate the island, and were starting to step up their rivalry by beginning to record heir own platters rather than rely on imports to gain the competitive edge. With the uniquely Jamaican ska craze yet to fully catch hold, these tracks are largely imitative of the sounds that had been reaching the island from American shores, albeit peppered with hints of what was to come ~ some of the future stars of ska, rocksteady and reggae are starting to cut their teeth here on these records, providing a unique view into the fledgling industry at a time of creative flux.

180g vinyl, incl. Mp3 download code

The sound of independence, righteous and hot jump-up sounds from the 1950s and 60s in Mambo, Calypso, Goombay, Merengue, cult and compas music from the Caribbean, i.e. from the Jamaican, Cuban, Dominican and Haitian corners