Eine herausragende Sammlung aus der goldenen Ära des jamaikanischen Roots Reggae: A Serious Thing vereint 20 Klassiker von Horace Andy, die in den 1970er-Jahren in Zusammenarbeit mit dem legendären Produzenten Bunny „Striker“ Lee entstanden. Neben Hits wie „Skylarking“, „Money Money“, „Zion Gate“ und „Just Say Who“ enthält die Doppel-LP auch das Original von „You Are My Angel“, das später durch Massive Attack auf ihrem Album Mezzanine eine neue Bekanntheit erlangte. Die Aufnahmen entstanden in renommierten Studios wie Channel One und Harry J’s; die Dub-Mixe stammen unter anderem von King Tubby, Prince Jammy und Phillip Smart. Eine fantastische Zusammenstellung jamai- kanischer Reggae-Geschichte, erschienen 2026 auf Gorgon / VP Records.
Habibi Funk aus der armenischen Gemeinde Beiruts im Libanaon (!). Mitreißende Arrangements und eingängige Melodien bis hin zu einem eleganten Auftreten: Geboren 1946 in Bourj Hammoud, Libanon, wurde Ara zu einer zentralen Figur der armenischen Pop-Szene der 1960er und 70er Jahre. Er prägte einen unverwechselbaren Sound im armenischen Soul-Funk-Pop-Rock Kosmos. Kommt mit auf eine spannende Entdeckungsreise.
DL+Booklet
Less than a hundred miles inland from the capital city of Lima lies the
great Peruvian jungle, an untamed land of impenetrable forests and
endless winding rivers. In its isolated cities, cut off from the
fashions of the capital, a unique style of music began to develop,
inspired equally by the sounds of the surrounding forests, the roll of
the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked
up from distant stations on transistor radios. With the arrival of
electricity, a new generation of young musicians started plugging in
their guitars and trading in their accordions for synthesizers:
Amazonian cumbia was born.Powered by fast-paced timbale rhythms,
driven by spidery, treble-damaged guitar lines, and drenched in bright
splashes of organ, Amazonian cumbia was like a hyperactive distant
cousin of surf music crossed with an all-night dance party in the heart
of the forest. While many of the genre’s greatest tracks were
instrumental, and others were simple celebrations of life in the jungle,
the goal of every song was to keep the party going.Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneeringrecord producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a cityreachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their besttracks. Although many became local hits, few were ever heard outside the Amazonian region … until now.With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrackto a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.
Back in stock! Ghanaian Afro-Rock From Producer/Composer JJ Whitefield,
Inspired By His Karl Hector & The Malcouns And Whitefield Brothers
Projects JJ Whitefield, who in the early ‘90s revived the gritty,
analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has
been working with Now-Again Records for over decade, releasing a flock
of acclaimed projects with Karl Hector & The Malcouns, Whitefield
Brothers, Rodinia and the Original Raw Soul anthology. He first started
exploring African rhythms with the Whitefield Brothers in the late ‘90s,
continuing in the ‘00s with Karl Hector & The Malcouns. He’s been
instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s
international career, decades after the maestro recorded the landmark
albums that have inspired thousands. Whitefield recorded two new studio
albums with Taylor and toured in his band between 2009 and 2013, where
he met Taylor’s son Henry and percussionist/Singer Eric Owusu. The trio
now front the Johnny! band and find inspiration not only in Ghana’s
hypnotic grooves, but also the full frontal fuzz guitar assault heard on
the legion of 70s Zambian Zamrock albums reissued by Now-Again. Indeed,
Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and
WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic
backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim
(Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist
Tomi Simatupang (Whitefield Brothers). This is what was oft-called
“Afro Rock” at the core, with the possibilities to stretch out into
swinging highlife, sweet soul or psychedelia . The results, point at a
new direction for the music inspired by the Great Continent. One that
takes a direction once mocked as derivative and asserts its importance
on the globe’s current musical stage.
'Kel Tinariwen' ist eine aufschlussreiche Entdeckung aus den
Tinariwen-Archiven, eine MC mit frühen Aufnahmen der legendären
Tuareq-Band, die 1992 nur innerhalb ihrer Sahara-Stammesgebiete erschien
und jetzt erstmals die offizielle Veröffentlichung erlebt. 'Kel
Tinariwen' hat noch nicht den vollen Bandsound entwickelt, mit dem sich
Tinariwen international etablierten, und erweitert die reiche Geschichte
der Band um eine weitere Epoche. Ihr Markenzeichen sind die
hypnotischen Gitarrenlinien und der Call-and-Response-Gesang, die sich
zwischen rauen Drum-Machine-Rhythmen und Keyboard-Melodien verweben und
fast an eine arabische Version von 80er Synth-Pop erinnern. Es gibt
deutliche Parallelen zwischen den Klängen auf diesem Band und der
Arbeit, die in den letzten Jahren von Cratedigger-Labels wie Awesome
Tapes From Africa, Sahel Sounds und Sublime Frequencies entdeckt wurde.