- Blue Vinyl
Limitiertes blaues Vinyl! Über vier Alben hinweg hat sich Pachyman als
meisterhafter Handwerker des Dub-Reggae bewiesen. Inspiriert von
Legenden wie King Tubby und Scientist, nutzt er Vintage-Equipment,
erschafft monumentale Klangwelten und versteht intuitiv die hypnotische
Kraft der Wiederholung. Mit 'Another Place' geht er einen Schritt
weiter: Er verbindet Dub mit den vielfältigen Einflüssen moderner Musik -
von der Synth-Pop-Ästhetik eines William Onyeabor und Yellow Magic
Orchestra bis hin zu den tiefen, atmosphärischen Klängen von Basic
Channel’s Dub-Techno. Ein Album, das Tradition ehrt und zugleich neue
Klangräume erschließt.
- Blue Note Classic Vinyl Series
- 180g Vinyl-
Reissue
“Kenny was a hell of a trumpet player – great style, all his own.” So
wrote Miles Davis in his 1988 memoir. Despite being praised by Davis and
widely admired by his peers, Kenny never received the recognition his prodigious talent deserved. Unlike
Davis and Dizzy Gillespie, he never became a household name, but between
1953 and 1964 he recorded a number of excellent albums, including five
for the iconic Blue Note label, that offered compelling proof of his
star quality. One of his best was Trompeta Toccata, the final
album of his eleven-year spell as a solo artist, which showcased a blend
of astounding trumpet pyrotechnics, harmonic guile, and compositional
skill.
Born in a small town in Texas, McKinley
“Kenny” Dorham began playing the trumpet at ten. After leaving
the army in 1942, he ventured to New York, where he eventually wound
up in Dizzy Gillespie’s group. Following that, he joined singer
Billy Eckstine’s band, then an incubator for bebop talent, before
replacing Miles Davis in his idol Charlie Parker’s quintet. He
appeared on Blue Note’s radar in 1955, releasing the album Afro
Cuban, a pioneering meld of hard bop and Latin music. Following
stints at Riverside and Prestige, Dorham returned to Blue Note in
1961. On his fourth LP for the label, 1963’s Una Mas, the
trumpeter’s band featured Joe Handerson, a young tenor saxophonist
with a compelling and distinctive style. Dorham became a mentor to
Henderson, with whom he collaborated on five Blue Note albums
together between 1963 and 64.
- RSD - Compilation- Lake Geneva Blue
Montreux Jazz Festival and BMG are excited to introduce the first release in a landmark new series from The Montreux Years.
Across its 60-year history, Montreux Jazz Festival has hosted some of the most defining concerts in music history. Moments – Volume 1
brings together a collection of these legendary moments – from Nina
Simone’s rousing rendition of ‘Mississippi Goddam’ in 1990, an artist
who had a special bond with the festival, to Etta James’ powerhouse
performance of ‘I Just Want to Make Love to You’ during her
unforgettable concert in 1993.
The album also includes Marianne Faithfull, Dr. John, Chick Corea,
The Modern Jazz Quartet, Muddy Waters, McCoy Tyner, Michel Petrucciani,
and John McLaughlin.
Launched in 2021, The Montreux Years series is the
embodiment of the spirit of the Montreux Jazz Festival and the legacy of
its founder, Claude Nobs. Nobs refused to compromise on quality or
settle for anything other than the best and this ethos lives on in the
superb quality of the recordings compiled in The Montreux Years.
Mastering has been performed by Tony Cousins at London’s iconic
Metropolis Studios, capturing the original sound of the special live
performances.
RSDCompilation, Limited Edition, Remastered
A brand-new collection of Count Basie’s biggest hits from the Roulette
catalogue, including “Splanky”, “Flight of the Foo Birds” and “One
O’clock Jump”.Pressed for Record Store Day 2025 on Moss Green vinyl.
RSD, Compilation, Blue Vinyl
Blue Note sessions often yielded more recorded material than could be
fit on a single LP. Some of these ended up in expanded CD/digital
versions, but very few have found their way to vinyl. Alt’s ‘N Outs
features a fascinating new collection of alternate and bonus tracks,
buried treasure, from six of the most noteworthy albums in Blue Note
history: Cannonball Adderley’s Somethin’ Else, Grant Green’s Idle
Moments, Wayne Shorter’s Speak No Evil, Art Blakey and the Jazz
Messengers’ Moanin’, Jimmy Smith’s Back at the Chicken Shack, and Sonny
Clark’s Cool Struttin’. Released on 180gm opaque blue vinyl
What happens when you combine Stanley Turrentine’s blues-drenched tenor
saxophone with Les McCann’s soulful and funky piano? You end up with one
of both men’s best albums, an album considered to be one of the
foundational sessions of soul jazz. Turrentine and McCann are joined by
bassist Herbie Lewis (a member of McCann’s group at the time) and
drummer Otis “Candy” Finch. Stand out tracks include Smile, Stacey, the deep blue groove of Soft Pedal Blues and the in-the-pocket soul of Light Blue. That’s where it’s at!
- 180g Vinyl-
Gatefold
Auf seinem dritten Blue Note-Album stellte der Pianist McCoy Tyner ein Quartett mit Vibraphonisten zusammen Bobby Hutcherson, Bassist Herbie Lewis und Schlagzeuger Freddie wartet für
ein Album voller ätherischer Texturen, das mitreißende Darbietungen von
drei umfangreichen Tyner-Originalen und drei radikal neu erfundenen
Standards bietet.
Diese Stereo-Vinyl-Edition von Tone Poet wurde von Joe Harley
produziert, von Kevin Gray von den analogen Original-Masterbändern
gemastert, bei RTI auf 180-g-Vinyl gepresst und in einer
Deluxe-Klapphülle zum Aufkleben verpackt
-
180g Vinyl-LP
Nach dem Erfolg seines Gesangsdebüts „Chet Baker Sings“ im Jahr 1954 holte Pacific Jazz den aufstrebenden Star-Trompeter für die Fortsetzung „Chet Baker Sings and Plays“
zurück ins Studio, in der beide Seiten von Bakers Kunstfertigkeit
anhand einer Reihe von Standards zur Schau gestellt wurden, darunter
auch seine zeitlose Interpretation von „ Lass uns verloren gehen." Diese
Mono-Vinyl-Edition von Tone Poet wurde von Joe Harley produziert, von
Kevin Gray von den originalen analogen Masterbändern gemastert, bei RTI
auf 180g-Vinyl gepresst und in einer luxuriösen Klebehülle verpackt.
- 180g Vinyl
Erstveröffentlichung einer legendären Blue-Note-Liveaufnahme vom Montreux Jazz Festival im Juli 1973.
Neben Donal Byrd an der Trompete noch mit dabei : Vibraphonist Bobby Hutcherson, Organist Ronnie Foster, Flötistin Bobbi Humphrey und Sängerin Marlena Shaw.
Legendary trumpeter Miles Davis was still near the start of his storied
career when he cut the three sessions that comprise his Blue Note
recordings in 1952, 1953, and 1954. In 1955, Blue Note compiled the
tracks into two 12" LPs as part of the 1500 series. The music presents
all the hallmarks of his early style from blazing bebop to beautiful
ballads. This Blue Note Classic Vinyl Edition is mono, all-analog,
mastered by Kevin Gray from the original masters, and pressed on 180g
vinyl at Optimal.